There’s a pretty big difference between chatGPT and the science/medicine AIs.

And keep in mind that for LLMs and other chatbots, it’s not that they aren’t useful at all but that they aren’t useful enough to justify their costs. Microsoft is struggling to get significant uptake for Copilot addons in Microsoft 365, and this is when AI companies are still in their “sell below cost and light VC money on fire to survive long enough to gain market share” phase. What happens when the VC money dries up and AI companies have to double their prices (or more) in order to make enough revenue to cover their costs?

Good luck, I’m hoping that I can get a worker’s visa through my employer to move to the UK myself.

Cool story, too bad it’s inaccurate. In every state in the USA, if you are waiting in line when polls close you have the right to remain in line and cast your vote, regardless of how long it takes.

If you were told to go home because the polls were closed and they weren’t accepting further voters, then you were lied to.

That first GIF is from Team America: World Police, it’s a Bush-era film from the guys who made South Park. It aged pretty badly in a lot of ways since it’s lampooning the War on Terror, but it’s still hilarious IMO. Worth a watch if you like the idea of South Park as an R-rated puppet movie.

Brought to you by the American National Automation Laboratory Corp?

I mean, you don’t have to go full-blown fursuit and conventions if you don’t want to. Most furries never actually bother with fursuiting–speaking from personal experience, it’s hot as shit (especially outdoors or in summer), you can barely see or hear anything, and if you wear glasses they’re prone to getting knocked off your nose or fogging up so badly that you can’t see anything. Many fursonas exist exclusively in artwork or stories–either commissioned or self-drawn–and even that’s optional.

You don’t even have to actively participate in the community if you don’t want to. Many furries are passive members who just follow artists, lurk in streams or group chats, occasionally leave a comment on a submission, and generally exist in furry spaces. Literally the only requirement to be a furry is to say you’re a furry!

Honestly, don’t stress yourself out over it, and keep an open mind. It might not be your cup of tea, and that’s perfectly fine–there undoubtedly is a large sexual aspect to furry, and lots of folks (especially folks who are cisgender, heterosexual, have a less relaxed view about sexuality, etc.–not to say that you can’t be a straight male furry, but there are a LOT of gay/bi furries) may find it to be a dealbreaker. Ultimately, furry has its roots in the nerd and geek communities, back when being nerdy or geeky was something to be bullied over, and it still shows it today.

Furry is a community that has a disproportionate number of LGBT+ folks, neurodivergent folks (especially people on the ADHD/autism spectrum), and other marginalized groups. Among many things, this means it revels in being proudly and unabashedly weird, both as a celebration of itself and as a defense mechanism against becoming overwhelmed by the kinds of business interests that would love nothing more than to push out all the sexuality and weirdness to provide a safe space for advertisers to shovel their slop down our throats.

If that sounds like something you’d enjoy being a part of, then I’d suggest checking out some places like the furry_irl subreddit, looking up streamers under the furry tag on Twitch (Skaifox, WhiskeyDing0, etc.), maybe make an account on FurAffinity, and look up furmeets or conventions in your area you can attend. You might not like it, or you might find yourself joining the best community I’ve ever been part of.

Yeah, definitely. Furry encompasses basically anything that’s a non-human anthropomorphic creature. I’ve seen fursonas based on birds, sharks, dolphins, turtles, rhinos, dinos, frogs, hippos, orcas, dragons, reptiles, plant creatures… hell, there are alien species like sergals and avalis, anthro/machine hybrids like protogens, and even entirely robotic characters.

It’s just called furry because furred species are the most common, and the original community that splintered off from sci-fi conventions in the 70s and 80s and grew through fanzines pre-Internet largely used furred species for their characters. (“Fun” fact, the early community had a lot of skunk characters, which is why one of the first derogatory terms for furries was “skunkfucker.”)

Oh yes, let me just contact the manufacturer for this appliance and ask them to update it to support automated certificate renewa–

What’s that? “Device is end of life and will not receive further feature updates?” Okay, let me ask my boss if I can replace i–

What? “Equipment is working fine and there is no room in the budget for a replacement?” Okay, then let me see if I can find a workaround with existing equipme–

Huh? “Requested feature requires updating subscription to include advanced management capabilities?” Oh, fuck off…

Believe it or not this is exactly how most furries make their fursona

I keep thinking of the anticapitalist manifesto that a spinoff team from the disco elysium developers dropped, and this part in particular stands out to me and helps crystallize exactly why I don’t like AI art:

All art is communication — dialogue across time, space and thought. In its rawest, it is one mind’s ability to provoke emotion in another. Large language models — simulacra, cold comfort, real-doll pocket-pussy, cyberspace freezer of an abandoned IM-chat — which are today passed off for “artificial intelligence”, will never be able to offer a dialogue with the vision of another human being.

Machine-generated works will never satisfy or substitute the human desire for art, as our desire for art is in its core a desire for communication with another, with a talent who speaks to us across worlds and ages to remind us of our all-encompassing human universality. There is no one to connect to in a large language model. The phone line is open but there’s no one on the other side.

I gave up on it for now when the questline involving the NPC learning to write broke, and then I started crashing to desktop (without any logs anywhere, either in the Buffout directory or even in Windows’ Event Viewer) every time I left the Swan or fast traveled directly to it, even though traveling to another point literally fifty feet south worked just fine. And since there’s no logs describing the crash, I have no idea how to fix it.

I could probably fix it by uninstalling and re-downloading it again, but I have a goddamn data cap that my roommate already blows through every month with the fucking massive updates Fallout 76 has taken to pushing out, I have zero desire to download 60 GB of data (30 GB base game + 30 GB FOLON) every fucking time I sneeze wrong and make the game start crashing again. =|

The most jarring thing is when I was picking up a prescription for my cat, and on the way home I was driving next to a plain vanilla, factory-stock GMC truck whose hood was literally taller than my entire car. And I don’t drive a miata or some other sub-compact, I drive a freaking Nissan Leaf, so about the size of your average sedan.

Since then it’s like a switch flipped in my brain, and I can’t unsee just how insanely huge modern-day pickup trucks have gotten.

Thanks, please never say that again

It’s pretty okay. If you like the gameplay loop of scavenging parts to maintain and upgrade your car, and don’t mind the roguelite elements, it’s pretty fun, and it does a good job of creating tension–there’s been multiple occasions where I wanted to loot more but I was out of time and likely to die if I stayed much longer.

The world building is immaculate, but IMO unfortunately the plot doesn’t really pay off, and the ending isn’t… super satisfying. It does enough to drive you along (no pun intended). The best part of the game is easily the soundtrack, and the best song in the soundtrack is easily The Freeze.

Fine, you win, I misunderstood. I still disagree with your actual point, however. To me, Intelligence implies the ability to learn in real-time, to adapt to changes in circumstance, and for self-improvement. Once an LLM is trained, it is static and unchanging until you re-train it with new data and update the model. Even if you strip out the sapience/consciousness-related stuff like the ability to think critically about a scenario, proactively make decisions, etc., an LLM is only capable of regurgitating facts and responding to its immediate input. By design, any “learning” it can do is forgotten the instant the session ends.

The commercial aspect of the reproduction is not relevant to whether it is an infringement–it is simply a factor in damages and Fair Use defense (an affirmative defense that presupposes infringement).

What you are getting at when it applies to this particular type of AI is effectively whether it would be a fair use, presupposing there is copying amounting to copyright infringement. And what I am saying is that, ignoring certain stupid behavior like torrenting a shit ton of text to keep a local store of training data, there is no copying happening as a matter of necessity. There may be copying as a matter of stupidity, but it isn’t necessary to the way the technology works.

You’re conflating whether something is infringement with defenses against infringement. Believe it or not, basically all data transfer and display of copyrighted material on the Internet is technically infringing. That includes the download of a picture to your computer’s memory for the sole purpose of displaying it on your monitor. In practice, nobody ever bothers suing art galleries, social media websites, or web browsers, because they all have ironclad defenses against infringement claims: art galleries & social media include a clause in their TOS that grants them a license to redistribute your work for the purpose of displaying it on their website, and web browsers have a basically bulletproof fair use claim. There are other non-infringing uses such as those which qualify for a compulsory license (e.g. live music productions, usually involving royalties), but they’re largely not very relevant here. In any case, the fundamental point is that any reproduction of a copyrighted work is infringement, but there are varied defenses against infringement claims that mean most infringing activities never see a courtroom in practice.

All this gets back to the original point I made: Creators retain their copyright even when uploading data for public use, and that copyright comes with heavy restrictions on how third parties may use it. When an individual uploads something to an art website, the website is free and clear of any claims for copyright infringement by virtue of the license granted to it by the website’s TOS. In contrast, an uninvolved third party–e.g. a non-registered user or an organization that has not entered into a licensing agreement with the creator or the website (*cough* OpenAI)–has no special defense against copyright infringement claims beyond the baseline questions: was the infringement for personal, noncommercial use? And does the infringement qualify as fair use? Individual users downloading an image for their private collection are mostly A-OK, because the infringement is done for personal & noncommercial use–theoretically someone could sue over it, but there would have to be a lot of aggravating factors for it to get beyond summary judgment. AI companies using web scrapers to download creators’ works do not qualify as personal/noncommercial use, for what I hope are bloody obvious reasons.

As for a model trained purely for research or educational purposes, I believe that it would have a very strong claim for fair use as long as the model is not widely available for public use. Once that model becomes publicly available, and/or is leveraged commercially, the analysis changes, because the model is no longer being used for research, but for commercial profit. To apply it to the real world, when OpenAI originally trained ChatGPT for research, it was on strong legal ground, but when it decided to start making it publicly available, they should have thrown out their training dataset and built up a new one using data in the public domain and data that it had negotiated a license for, trained ChatGPT on the new dataset, and then released it commercially. If they had done that, and if individuals had been given the option to opt their creative works out of this dataset, I highly doubt that most people would have any objection to LLM from a legal standpoint. Hell, they probably could have gotten licenses to use most websites’ data to train ChatGPT for a song. Instead, they jumped the gun and tipped their hand before they had all their ducks in a row, and now everybody sees just how valuable their data is to OpenAI and are pricing it accordingly.

Oh, and as for your edit, you contradicted yourself: in your first line, you said “The commercial aspect of the reproduction is not relevant to whether it is an infringement.” In your edit, you said “the infringement happens when you reproduce the images for a commercial purpose.” So which is it? (To be clear, the initial download is infringing copyright both when I download the image for personal/noncommercial use, and also when I download it to make T-shirts with. The difference is that the first case has a strong defense against an infringement claim that would likely get it dismissed in summary, while the cases of making T-shirts would be straightforward claims of infringement.)

That factor is relative to what is reproduced, not to what is ingested. A company is allowed to scrape the web all they want as long as they don’t republish it.

The work is reproduced in full when it’s downloaded to the server used to train the AI model, and the entirety of the reproduced work is used for training. Thus, they are using the entirety of the work.

I would argue that LLMs devalue the author’s potential for future work, not the original work they were trained on.

And that makes it better somehow? Aereo got sued out of existence because their model threatened the retransmission fees that broadcast TV stations were being paid by cable TV subscribers. There wasn’t any devaluation of broadcasters’ previous performances, the entire harm they presented was in terms of lost revenue in the future. But hey, thanks for agreeing with me?

Again, that’s the practice of OpenAI, but not inherent to LLMs.

And again, LLM training so egregiously fails two out of the four factors for judging a fair use claim that it would fail the test entirely. The only difference is that OpenAI is failing it worse than other LLMs.

It’s honestly absurd to try and argue that they’re not transformative.

It’s even more absurd to claim something that is transformative automatically qualifies for fair use.

Get a load of this maroon, they think LLMs are actually sapient! Thanks, I needed that laugh.

FFS, the issue is not that the AI model “copies” the copyrighted works when it trains on them–I agree that after an AI model is trained, it does not meaningfully retain the copyrighted work. The problem is that the reproduction of the copyrighted work–i.e. downloading the work to the computer, and then using that reproduction as part of AI model training–is being done for a commercial purpose that infringes copyright.

If I went to DeviantArt and downloaded a random piece of art to my hard drive for my own personal enjoyment, that is a non-infringing reproduction. If I then took that same piece of art, and uploaded it to a service that prints it on a T-shirt, the act of uploading it to the T-shirt printing service’s server would be infringing, since it is no longer being reproduced for personal enjoyment, but the unlawful reproduction of copyrighted material for commercial purpose. Similarly, if I downloaded a piece of art and used it to print my own T-shirts for sale, using all my own computers and equipment, that would also be infringing. This is straightforward, non-controversial copyright law.

The exact same logic applies to AI training. You can try to camouflage the infringement with flowery language like “mere extraction of relationships between components,” but the purpose and intent behind AI companies reproducing copyrighted works via web scraping and downloading copyrighted data to their servers is to build and provide a commercial, for-profit service that is designed to replace the people whose work is being infringed. Full stop.